Extended Call for Papers: Religion in Spider-Man Comics

Call For Papers: Religion in Spider-Man Comics – A Textual Look at our Favorite Web-Slinger Volume Editor: George Tsakiridis, PhD Abstract and CV Due: October 24, 2021 Initial Final Paper Due: March 1, 2022 There are few comic book heroes that rise to the level of Spider-Man. He is the foundation for most of the…

Call for Papers: Theology and Wes Craven

Call for Proposals Title:                          Theology and Wes Craven   Editor:                        David K. Goodin, McGill University Wesley Earl Craven (1939-2015), popularly known as simply Wes Craven, redefined the horror genre with such landmark and notorious films as The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People…

2nd Extension CFP: Theology and Margaret Atwood

Since the recent success of the TV series The Handmaid’s Tale, Margaret Atwood—who has always enjoyed an enthusiastic “fan base” and coterie of admiring readers—has gained a renewed prominence and her work has entered into a kind of renaissance as readers (re)discover her extensive catalogue of writings, including novels, essays, short stories, poetry, and other edited…

Analyzing Religion in Jonathan Hickman’s House of X/Powers of X: Epilogue

At long last, David Canham‘s epilogue for his ongoing blog series for Sequart on Jonathan Hickman’s House of X/Powers of X. Here is an excerpt: “One also cannot deny how well-crafted the House of X / Powers of X series is. The questionable morality of the X-Men’s new status quo does not make the storytelling any less compelling. Hickman…

WandaVision, Reality, and the Filter Bubbles that Control Our Minds

By Hannah Grubbs Imagine you’re sitting at the dinner table with your old white grandma and her and your parents are going on and on about how Antifa was behind the insurrection and that Trump won the election. You, a well-informed person, interject to say, “Well, the Antifa part is unsure and Trump actually lost…

Die Before You Die: The Mystery of Christ in Sir Gawain and The Green Knight

By David Armstrong Caveat Lector: Spoilers follow for David Lowery’s The Green Knight. David Lowery’s The Green Knight (2021) is simply incredible. In a lifetime of ill-conceived, failed, and outright botched Camelot films, it is refreshing to know that someone, somewhere, actually has some knowledge of Arthuriana, particularly the mystifying, apocalyptic, even psychedelic strangeness that surrounds the…

Analyzing Religion in Jonathan Hickman’s Powers of X #6

I’m happy to present the second to last entry in David Canham‘s ongoing blog series for Sequart on religion in Jonathan Hickman’s House of X/Powers of X. Next week, I will be posting a link to his epilogue for the blog series. Here is an excerpt: “In returning to the theme of prophecy, Hickman brings…

Call for Papers: Theology and the Blues

Theology and the Blues Edited by Justin McLendon While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was considered the “Devil’s Music,” often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of…