By Matthew Brake “I know what it’s like to lose. To feel so desperately that you’re right, yet to fail nonetheless.” Many of us recognize this quote from the peak of the Marvel Cinematic Universe. After ten years of movies, and six years after his debut in a teaser at the end of the first…
Call for Papers: Theology, Philosophy, and Severance
Theology, Philosophy, and Severance Call for Papers Severance, created by Dan Erickson and Ben Stiller, has captured the imagination of the streaming world. Season 1, developed and filmed during the Covid-19 Pandemic and the backbone of the Apple TV+ streaming service, was nominated for 14 Emmys at the 74th Annual Emmy Awards in 2022 (two…
Call for Papers: Theology, Religion, and Taylor Swift
Call for Papers: Theology, Religion and Taylor Swift Edited by: Alexis Bradford and Chris Swann Taylor Swift is a cultural icon. As such, she is often used as a case study and her success has been carefully examined in fields such as business, economics, anthropology, media studies, and even philosophy, but theology and religious studies…
Extended Call For Papers: Religion, Popular Culture, and the Nineties
CFP: Religion, Popular Culture, and the Nineties Edited by Ilaria W. Biano Although initially dismissed as “a holiday from history” (Will), a “frivolous if not decadent decade” (Rich), and a “time of trivial pursuits” (Halberstam) (cf. Chollet and Goldgeier 2008), the 1990s have increasingly been recognized as a pivotal historical moment. Scholars have underscored its…
Jon Stewart, AOC, and MLK’s Critique of the White Liberal
I wish there was a bold opposition party to stand against the Trump administration. The Democratic Party is not that party. I have a large number of Republican family members, who consume a large amount of conservative media. It has struck me as funny for a couple of years now whenever one of them or…
Call for Papers: Religion and AI Romance in Popular Media
Title – Religion and AI Romance in Popular Media: Wired for Love Edited by: Amanda Furiasse, Nova Southeastern University As AI-driven love stories become increasingly central to cultural narratives, they provoke fundamental questions about love, intimacy, and human connection, challenging conventional understandings of personhood, the soul, and the nature of relationships. In light of these…
Call for Papers: Theology, Religion, and Mad Max
Call for contributions Title: Theology, Religion, and Mad Max: Rising from the Ashes Edited by: Yael Thomas Cameron, Auckland University of Technology, New Zealand; Vernon W. Cisney, Gettysburg College, and Jon Hoskin, Phd. Mad Max is a post-apocalyptic film franchise that first wormed its way into the black matter of popular culture back in 1979, becoming…
Call For Papers: Religion, Popular Culture, and the Nineties
CFP: Religion, Popular Culture, and the Nineties Edited by Ilaria W. Biano Although initially dismissed as “a holiday from history” (Will), a “frivolous if not decadent decade” (Rich), and a “time of trivial pursuits” (Halberstam) (cf. Chollet and Goldgeier 2008), the 1990s have increasingly been recognized as a pivotal historical moment. Scholars have underscored its…
Wolfenstein: Playing the Jew?
By Dr. Frank G. Bosman We are in the year 1960. The Third Reich has solidified its political, cultural, and military dominance over Europe and North America since their 1946 victory over the Allied Forces by means of nuclear technology. All Entarteten are rounded up in concentration camps, racial laws rule the world, and only…
Call for Papers 2025: Censorship, Book Burning, and Separating the Artist from the Art!
Call for Papers 2025! Censorship, Book Burning, and the Separation of Artist from their Art! The ninth volume of the Pace University Journal of Comics and Culture is inviting authors, scholars, cartoonists, and comics creators to submit essays on banning and censorship of comics, contemporary or otherwise. Be it due to artist, content, religion, region,…
Pop Culture and Theology 