Religion, Consumerism, and Absurdism: Modernity and the Quest for Meaning

By Cole DeSantis Popular culture is not known for being the most self-aware phenomena in human society. Many of the trends that constitute “pop culture” are considered fashionable because they are taken to be cool, novel, or because they appeal to us on some visceral level. Pop culture is something to be enjoyed, not really…

Chromatica is the Song of the Exiled

By Taylor Ott As a long-time Lady Gaga stan, one of the most interesting things to me about Gaga’s music has always been the way in which her Catholic background provides context and language for so much of her work. Sometimes it is a prominent part of the subject material, sometimes it shows up in…

Faith, Hope, and Love in Daredevil: Born Again

By John Markle In September of 1986, American comic book writer Frank Miller published arguably one of the most well-composed comic books of all time, Daredevil: Born Again. In Daredevil: Born Again, a continuation of Miller’s earlier Daredevil issues, Matthew Murdock, known by few as the heroic Daredevil of Hell’s Kitchen, goes through a spiritual…

Blade Runner and Theology

By Stephanie Pacheco The Blade Runner films show us a version of Artificial Intelligence (AI) that looks exactly like we do. My take on Blade Runner—both the original and Blade Runner 2049—is that it concerns androids less than appearances suggest, but rather asks us: “What makes us human?” The 2017 sequel utilizes dazzling cinematography to…

The Psychoanalytic Structure of Daredevil’s Catholic Guilt

By Ritchie Savage, PhD In The Protestant Ethic and the Spirit of Capitalism, the classical sociological theorist, Max Weber, attempts to make a distinction between his ideal types of Protestantism and Catholicism, and the capacity for the former, not only to embody the movement toward rationalization in history, but also the attention toward capital accumulation….