Call for Papers: Anime, Religion, and Theology Proposal Due Date: February 15th, 2022 First Submission Date for Contributors: August 15th, 2022 Editors: Roberto J. De La Noval and David Armstrong Today it is impossible to overlook the presence of Japanese animation, ‘anime’ for short, in the Western entertainment ecosystem. Since the 1990s, when many landmark…
Tag: CFP
Extended Call for Papers: Theology, Religion, and Wes Craven
Call for Proposals Title: Theology and Wes Craven Editor: David K. Goodin, McGill University Wesley Earl Craven (1939-2015), popularly known as simply Wes Craven, redefined the horror genre with such landmark and notorious films as The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People…
Call for Papers: Theology and Wes Craven
Call for Proposals Title: Theology and Wes Craven Editor: David K. Goodin, McGill University Wesley Earl Craven (1939-2015), popularly known as simply Wes Craven, redefined the horror genre with such landmark and notorious films as The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People…
2nd Extension CFP: Theology and Margaret Atwood
Since the recent success of the TV series The Handmaid’s Tale, Margaret Atwood—who has always enjoyed an enthusiastic “fan base” and coterie of admiring readers—has gained a renewed prominence and her work has entered into a kind of renaissance as readers (re)discover her extensive catalogue of writings, including novels, essays, short stories, poetry, and other edited…
Call for Papers: Theology and the Blues
Theology and the Blues Edited by Justin McLendon While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was considered the “Devil’s Music,” often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of…
Extended Call for Papers: Theology and Margaret Atwood
Since the recent success of the TV series The Handmaid’s Tale, Margaret Atwood—who has always enjoyed an enthusiastic “fan base” and coterie of admiring readers—has gained a renewed prominence and her work has entered into a kind of renaissance as readers (re)discover her extensive catalogue of writings, including novels, essays, short stories, poetry, and other edited…
Call for Papers: Theology and Margaret Atwood
Since the recent success of the TV series The Handmaid’s Tale, Margaret Atwood—who has always enjoyed an enthusiastic “fan base” and coterie of admiring readers—has gained a renewed prominence and her work has entered into a kind of renaissance as readers (re)discover her extensive catalogue of writings, including novels, essays, short stories, poetry, and other edited…
Call for Papers: The Theological World of Harry Potter
Call for Papers: The Theological World of Harry Potter Editors: Taylor J. Ott (Fordham University) and Shaun Brown (Villa Maria College) Theology and Pop Culture is currently seeking contributions for an edited volume from Rowman and Littlefield on the intersection of theology and Harry Potter. Essays should prioritize the books but may include or concentrate…
Call for Papers: Moral Theology and the World of Walt Disney
Editor: Jeremy E. Scarbrough (scarbrj@phsc.edu) Theology and Pop Culture is seeking contributions for a potential edited volume on Moral Theology and the Musical World of Walt Disney, to be published by Lexington Books/Fortress Academic, an imprint of Rowman and Littlefield. The significant contributions of Walt Disney Studios in the twentieth and twenty-first centuries—to our overall…
Call for Papers: Theology and Spider-Man
Call for Papers: Theology and Spider-Man Volume Editor: George Tsakiridis, PhD Abstract and CV Due: November 30, 2019 Final Paper Due: May 1, 2020 He’s the classic superhero of the Marvel age: Spider-Man. Marvel comics wouldn’t be the titan of content it is without him. He’s been portrayed in multiple comic books, television series, and…
Pop Culture and Theology 