Call for Papers: Theology and Wes Craven

Call for Proposals Title:                          Theology and Wes Craven   Editor:                        David K. Goodin, McGill University Wesley Earl Craven (1939-2015), popularly known as simply Wes Craven, redefined the horror genre with such landmark and notorious films as The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People…

2nd Extension CFP: Theology and Margaret Atwood

Since the recent success of the TV series The Handmaid’s Tale, Margaret Atwood—who has always enjoyed an enthusiastic “fan base” and coterie of admiring readers—has gained a renewed prominence and her work has entered into a kind of renaissance as readers (re)discover her extensive catalogue of writings, including novels, essays, short stories, poetry, and other edited…

Call for Papers: Theology and the Blues

Theology and the Blues Edited by Justin McLendon While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was considered the “Devil’s Music,” often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of…

Extended Call for Papers: Theology and the Riordanverse

Editors: Nathan E. Fleeson and Carolyn M. Jones Medine 2020 marked the 15thAnniversary of the publication of the first book in the Percy Jackson series, Percy Jackson and the Olympians: The Lightning Thief, as well as what Rick Riordan claims will be the last in the series, The Trials of Apollo: The Tower of Nero. In those…

Extended Call for Papers: Theology and LOST

Due Date for Abstracts: September 17, 2021 Few commercial television series in recent memory had such a lasting impact on its viewers as did the TV series “Lost” which aired 2004-2010, and although the series is now over a decade old, it is still available on streaming services and its themes are still relevant, perhaps…

Extended Call for Papers: Theology and Margaret Atwood

Since the recent success of the TV series The Handmaid’s Tale, Margaret Atwood—who has always enjoyed an enthusiastic “fan base” and coterie of admiring readers—has gained a renewed prominence and her work has entered into a kind of renaissance as readers (re)discover her extensive catalogue of writings, including novels, essays, short stories, poetry, and other edited…

Reflections on Theology and the Marvel Universe

By Gregory Stevenson In 2019 I had the privilege of working with an exceptional group of scholars as editor for Theology and the Marvel Universe. With the paperback edition now available (and thus at a thankfully cheaper price), this provides a good opportunity to reflect on why I think projects like this are important. Comic book…

What Have We Learned About Prince’s Theology Lately?

By Jonathan H. Harwell, co-editor, Theology and Prince (now released in paperback) Theology and Prince, the inaugural volume of the rapidly growing Theology and Pop Culture series from Lexington Books/Fortress Academic (see the review at Reading Religion here), has now been published in paperback at a lower list price of $39.99.  I am honored to be a co-editor of this…

Call for Papers: Theology and Vampires

Theology and Vampires From the ‘vampire craze’ of the eighteenth century, and up to contemporary takes on the genre, vampire narratives have been inextricably bound up with theological questions. In Bram Stoker’s Dracula and its many adaptations, the vampire is repelled by the crucifix and the consecrated Host. Two puncture wounds on the victim’s neck in…