Call For Papers: Title: Theology and The Office Volume Editors: Daniel J. Cameron & John W. McCormack Abstract and CV Due: January 31, 2023 Initial Final Paper Due: June 30, 2023 In 2020, seven years after the show officially ended, the hit NBC series The Office was the number 1 streamed tv show with over…
Tag: Call for Submission
Call for Papers: Theology, Religion, and Dune
Title: Theology, Religion, and Dune Editor: Christopher A. Porter, Trinity College, University of Divinity A mention of Frank Herbert’s Dune conjures up visions of warring houses, giant spice worms, mysterious Fremen, and the crucial ‘spice’ melange. But within Herbert’s broad world building enterprise, his universe unashamedly embeds religious themes and theological frameworks in the narrative….
Call for Papers: Anime, Religion, and Theology
Call for Papers: Anime, Religion, and Theology Proposal Due Date: February 15th, 2022 First Submission Date for Contributors: August 15th, 2022 Editors: Roberto J. De La Noval and David Armstrong Today it is impossible to overlook the presence of Japanese animation, ‘anime’ for short, in the Western entertainment ecosystem. Since the 1990s, when many landmark…
Extended Call for Papers: Theology, Religion, and Wes Craven
Call for Proposals Title: Theology and Wes Craven Editor: David K. Goodin, McGill University Wesley Earl Craven (1939-2015), popularly known as simply Wes Craven, redefined the horror genre with such landmark and notorious films as The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People…
Call for Papers: Theology and Wes Craven
Call for Proposals Title: Theology and Wes Craven Editor: David K. Goodin, McGill University Wesley Earl Craven (1939-2015), popularly known as simply Wes Craven, redefined the horror genre with such landmark and notorious films as The Hills Have Eyes (1977), A Nightmare on Elm Street (1984), The Serpent and the Rainbow (1988), The People…
Call for Papers: Theology and the Blues
Theology and the Blues Edited by Justin McLendon While all music genres incorporate religious imagery, the blues has its origin in the soil of the church. In its infancy, the blues was considered the “Devil’s Music,” often dismissed as undermining the church’s gospel songbook. The initial resistance, however, could not suppress the organic development of…
Extended Call for Papers: Theology and the Riordanverse
Editors: Nathan E. Fleeson and Carolyn M. Jones Medine 2020 marked the 15thAnniversary of the publication of the first book in the Percy Jackson series, Percy Jackson and the Olympians: The Lightning Thief, as well as what Rick Riordan claims will be the last in the series, The Trials of Apollo: The Tower of Nero. In those…
Call for Papers: Theology and Protest Music
Editors: Dr. Heidi M. Altman (haltman@georgiasouthern.edu) & Jonathan H. Harwell (jharwell@rollins.edu) Theology and Pop Culture is currently seeking contributions for a potential edited volume of essays on theology from various faiths connected with protest music of various popular genres. Essays should be written for academics, but avoid jargon in order to be accessible for the layperson. Women…
Call for Papers: Fantasy, Theology, and the Imagination
Call for Papers: Fantasy, Theology, and the Imagination Edited by Austin M. Freeman, Andrew D. Thrasher, and Fotini Toso In the world of High Fantasy, authors create fictional worlds that often reflect human religiosity and theological themes in new and creative ways. Through theological and religious analyses of high fantasy and fantasy series, the editors…
EXTENDED Call for Papers: Theology and Breaking Bad
***The original call for papers has been extended until October 01, 2020! Call for Papers: Theology and Breaking Bad Editors: David K. Goodin, McGill University, School of Religious Studies david.goodin@mcgill.ca; George Tsakiridis, South Dakota State University george.tsakiridis@sdstate.edu Abstract and CV Due: October 01, 2020 “Say my name!” The moral universe of the era-defining AMC neo-Western crime…